Lights Out is a Babadook-ified mainstream horror movie. Like The Babadook, a decent horror movie that progressively got less scary, Lights Out uses a monster as a metaphor for psychological distress. In The Babadook the ailment was grief, in Lights Out it is clinical depression. The monster in Lights Out only exists in the shadows and haunts a fractured family—the father has run off or died, the mom (Maria Bello) suffers from mental illness. This leaves a tween boy, overacted by Gabriel Bateman, and his sister (Teresa Palmer). The sister’s character is the most interesting: her room is adorned in heavy metal iconography and she lives alone atop a tattoo parlor; in her relationship with a nice guy (Alexander DiPersia) the gender roles have been reversed as she’s clearly occupying the role of the uncommitted male. Yet writer/director David F. Sandberg does little to probe her dark side. Instead she’s forced to solve a mystery: the origins of the monster haunting her family. She solves it in one fell swoop too early in the film, leaving us with little to be curious about, except how the monster may be neutralized. Along the way to its Fight Club-esque conclusion Lights Out offers a few good scares—but don’t feel like you have to go out of your way to see them, or this movie.

By Alec Julian & Carrie White


3 thoughts on “LIGHTS OUT

  1. While your review properly warns me away and I have never been a fan of the modern horror – scare film – product, I am tempted because I find Maria Bello to be the bravest actress working today, maybe ever. An example, Downloading Nancy.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s